Friday Evening Sessions

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Perspectives on Critical Race Theory and Music (AMS) (Texas C)

Sponsored by the AMS Committee on Race and Ethnicity
George E. Lewis and Judy Tsou, Co-Chairs; Maya C. Gibson and Braxton D. Shelley, Respondents


Twentieth-Century Topics: Structure, Surrealism, Silence (SMT) ((Travis AB)

C. Catherine Losada, Chair


The Politics of Soviet Musicology and Music Theory (AMS/SMT) (Texas E)

Katya Ermolaeva, Chair; Marina Frolova-Walker and Gordon McQuere, Respondents

Porgy and Bess Against the Grain: New Approaches to a Confounding American Opera (AMS/SMT) (Texas C)

Mark Clague, Chair


Digital Scholarship in Music and Dance (AMS) (Texas F)

Sponsored by the AMS Music and Dance Study Group
David Day, Moderator

Interactive Demo and Poster Session (AMS) (Texas D)

Sponsored by the AMS Ludomusicology Study Group

Latin American Music and Music Theory (SMT) (Travis CD)

Sponsored by the SMT Committee on Diversity
J. Daniel Jenkins, Chair

Schenker’s Traces and the History of Music Theory (SMT) (Texas A)

Robert W. Wason, Chair
This session will be streamed live on the internet

Screening Cold War Music on Film (AMS) (Crockett CD)

Sponsored by the AMS Cold War and Music Study Group
Kevin Bartig, Chair

New Work in LGBTQ Studies (AMS) (Texas B)

Sponsored by the AMS LGBTQ Study Group
Heather Hadlock, Chair

Women in the History of Music Theory: Two Round-Table Discussions (AMS) (Crockett AB)

Sponsored by the AMS History of Theory Study Group
Elina G. Hamilton and Karen Cook, Chairs


Modality and Arabesque in the Early Twentieth Century (SMT) (Travis AB)

Jeremy Day-O’Connell, Chair