Thursday, November 4, 11:00 ET
11:00-12:30 ET
Intersectionality and Music Analysis: An Introduction
Sponsored by the Committee on the Status of Women
Jan Miyake (Oberlin Conservatory & Conservatory), Chair and Organizer; Lori Burns (University of Ottawa), Nadine Hubbs (University of Michigan), Alisha Lola Jones, (Indiana University), Presenters
Opera/Operetta
Deborah Burton (Boston University), Chair
N.B. Unfortunately there was a Zoom error during this session, please use the following two links to access the recordings of this session:
- Andrew Vagts, Horn Fifths, Fanfare, and Pastoral Topics in Mozart's “Per pietà, ben mio”
- Karen E. H. Messina, Autonomous Accord: The Double Formal Complex in the Act I Finale of Tosca
- John Y. Lawrence, Sullivan’s Slyly Shifting Stresses
Towards Defining A Musical Style
Christopher Doll (Rutgers University), Chair
N.B. Unfortunately there was a Zoom error during this session, please use the following two links to access the recordings of this session:
Towards Defining A Musical Style - part 1
Towards Defining A Musical Style - part 2
- Fred Hosken, Characterizing a Signature Metric Feel: The Stax Sound
- Steven Reale, “Bobbing on the Surface as the Shadow Glides Below”:Phishy Polyphony and the Evacuated Signifier
- Amy Bauer and Luis Zambrano, El cajón del Mariachi: Schemata of a Vernacular Genre
20th-Century Composers’ Tonal Organization
Andrew Mead (Indiana University), Chair
N.B. Unfortunately there was a Zoom error during this session, please use the following two links to access the recordings of this session:
20th-Century Composers’ Tonal Organization - part 1
20th-Century Composers’ Tonal Organization - part 2
- Dylan Principi, Milhaud’s Technique of Combination: Tonal Juxtapositions in the String Quartets
- Jared Redmond, Roslavets’s Old System of Tone Organization: Scriabinism, Synthetic Chords, and the Fifth Piano Sonata (1923)
- C. Catherine Losada, Rotational Arrays in the Music of Boulez
History Of Theory: 18th-Century Europe
YouYoung Kang, Chair
- Callum Blackmore, Embodying the Querelle des Bouffons: The Voice of the Royal Mistress and Music-Theoretical Dispute in Eighteenth-Century France
- Siavash Sabetrohani, Pergolesi’s Stabat Mater: Musical Debates and Nationalist Aspirations in Late-Eighteenth-Century Germany
- Frank Heidlberger, Between Hamburg, Vienna and Paris: Anton Reicha’s Music Theory from the Perspective of his Early Manuscripts