Friday, November 5, 11:00 ET
11:00-12:30 ET
Transforming Tunes/Appropriating Styles
Mark Spicer, Chair
- Frederick Reece, “Albinoni’s” Adagio: Baroque Forgeries and the Test of Time
- Bruno Alcalde, Listener Interactions with Musical Hybridity in the Piano Puzzler Podcast
- Ben Baker, Irony and Improvisation in Jazz Covers by The Bad Plus
Counterpoint
Jason Yust Yust, Chair
- Dmitri Tymoczko, The Quadruple Hierarchy
- Patrick Domico and Lucy Y. Liu, Compositional Techniques that Define Stravinsky’s Neoclassical Counterpoint
- Karl Braunschweig, Embedded Dissonance in 18th- and 19th-Century Theory and Practice
Rethinking Jazz
Garrett Michaelsen, Chair
- Dustin Chau, Revisiting Kane’s Jazz Ontology: Signifyin(g) on Tune Titles
- Stephen S. Hudson, Decentering White Music Theory with Jazz Theory and Drake
- Timothy Koozin, The Music of Leanne La Havas: Embodiment and Mediation in Neo-Soul
Poster Session 2: The Late 18th Century – And Beyond
Nathan Martin, Chair
- Christopher Segall, Sonata Form Without Main Theme
- Ellen Bakulina and Edward Klorman, Cadence as a Hypermetrical Focus
- Alan Elkins, Mixed Signals: Schematic and Form-Functional Ambiguity in the Keyboard Fantasias of C.P.E. Bach
- Jenine Brown and Daphne Tan, A Context-Sensitive Approach to the Pre-Dominant Function
- Damian Blättler, Deferred Tonic Returns in Maurice Ravel's Sonata Forms
11:00-2:15 ET
Antiracist Music Theories: Redefining The Discipline’s Key Terms
Jade Conlee (Yale University), Tatiana Koike (Yale University), Organizers
Philip Ewell (Hunter College of the City University of New York), Chair
- Derek Baron, Autonomy: Liberal Musicology, Marxist Aesthetics, and Racial Capitalism
- Sam Reenan, Form: Deconstructing Hierarchy and Standard
- Renata Yazzie, Siihasin: A Diné Perspective on Music Analysis
- José R. Torres-Ramos, Mariachismo: Sounded Hypermasculinity
- Cat Slowik, The Technē Turn
- Martin Scherzinger, Meter, Africanized
- Daniel Walden, Pitch Fundamentalism and the Colonization of Tonal Space
- Jade Conlee, Audiation, Musical Aptitude, and Racial Epistemology
- Garrett Groesbeck, Scale, Chōshi, and the Tuning of the Heavens: Orientalism in Discussions of Japanese Music Theory
- Brian Fairley, Polyphony: Difference and Separability in Global Perspective