Saturday, November 6, 12:45 ET
12:45-2:15 ET
Dance Explorations
Gretchen Horlacher, Chair
- Rebecca Simpson-Litke, An Examination of Improvisatory Practices in Salsa Music and Dance
- Amy Tai, Form in George Balanchine’s Concerto Barocco
- Lindsay Rader, Choreographic and Musical Interplay in Anne Teresa De Keersmaeker’s Bartók/Aantekeningen
Poster Session 4: Expanding Repertory For Pedagogy / Text Delivery In Pop And Rap
Kyle Adams, Chair
- Anna Stephan-Robinson, Songs of Katherine Ruth Heyman: A New Diversity Resource for the Undergraduate Classroom
- Angela Ripley, Diversity and Deeper Learning: Teaching Theory through Touchstones
- Christopher Wm. White, Mara Breen, and Joe Pater, Some Properties of Text Delivery and Melodic Rhythm in Post-Millennial Popular Music
- Hanisha Kulothparan, Flow in the Alter Egos of Nicki Minaj
Perspectives of Black Composers
Sponsored by the SMT Committee on Race and Ethnicity
Aaron Carter-Ényì (Morehouse College), Organizer; Panayotis Mavromatis (New York University), Moderator and Organizer; Jean Kidula (University of Georgia), Onyee N. Nwankpa (University of Port Harcourt, Nigeria), Gilad Rabinovitch (Florida State University), Robert Tanner (Morehouse College), Panelists
Shifting Meter
Samuel Ng, Chair
- David Forrest, Form and Hypermeter in the Songs of Kate Bush
- Soo Kyung Chung, Mixed Rhythms in Chopin’s Ballades and Scherzos
- Robert L. Wells, Dancing with the Devil: Liszt’s Diabolical Metric Cycles
Schoenberg
J. Daniel Jenkins, Chair
- David Hier, Chromatic Function in Schoenberg’s Atonal Music
- Andrew Eason, Cadence as Gesture in the Writings and Music of Arnold Schoenberg
- Johanna Frymoyer, Dancing Dodecaphony: The Form and Function of the Waltz Topic in Schoenberg’s Twelve-Tone Music