Sunday, November 7, 2:30 ET
2:30-3:30 ET
Temporality And Listener Experience
Bryan Parkhurst, Chair
- Jason Noble, Comparing Temporal Fictions in Tonality and Triadic Post-Tonality: Chopin’s Fourth Ballade as a Link Between the Ages
- Derek J. Myler, Lewin’s Dubbit, Husserl’s Post-horn: A Multistable Model of Polytonal Perception
2:30-4:00 ET
Gender Studies
Lori Burns, Chair
- Michèle Duguay, The Sonic Construction of White Femininity in the Music of Taylor Swift
- Hayden Harper, 2B or Not 2B: Representations of Gender in Nier: Automata
- Gabriel Lubell, Experiencing Album Forms and Dialectics of Gender through Sleater-Kinney’s The Woods
Corpus Approaches to Popular Music Analysis
Stefanie Acevedo, Chair
- Claire Arthur and Nathaniel Condit-Schultz, Testing the “Loose-Verse, Tight-Chorus” Model: A Corpus Study of Melodic-Harmonic Divorce
- Jinny Park, Meta Corpus Study of Chord-Loop Syntax in Twenty-First-Century Popular Music
- Matt Chiu and Andrew Blake, “All The Small Things”: Microtiming in Punk Music
Celebrating Unsuk Chin
Ji Yeon Lee (University of Houston), Chair and Organizer
- Jung-Min Mina Lee , Textural Expansion and Collapse as Formal Processes in Unsuk Chin’s Works
- Imri Talgam, A Perception-informed Approach to Performance of Metric Structure in Unsuk Chin’s Etudes
- Yayoi Uno Everett, Ritual and Rotation in Unsuk Chin’s Šu: Concerto for Sheng and Orchestra (2009)