Sunday, November 7, 12:45 ET
12:45-2:15 ET
Cinquecento And Ottocento
Megan Kaes Long, Chair
- Carlos A. Perez Tabares, A Female Pastoral: Northern Italian Ballads as a Topic in Primo Ottocento Opera
- Peter Schubert, Willaert’s Contrapuntal Strategies
Fretboards
Jonathan De Souza, Chair
- James Renwick, Pitch, Voicings, and Fretboard Transformations in Tōru Takemitsu’s “Rosedale”
- Nicholas J. Shea, Open Strings as Lorentzian Wormholes: Traversing Parallel Universes in Fretboard Space
- Joti Rockwell, Theorizing Musical Motion: Moving with the Steel Guitar
Sentences
Matt BaileyShea, Chair
- Matthew Arndt, Was ist: Satz
- Joshua Tanis, The Trouble with Line 3: Richard Strauss’s Sentential Settings of Four-Line Stanzas
- Michael Buchler, “Everything’s Coming up Roses”: Momma Rose’s Unfettered Optimism in Gypsy and her Problems with (Musical) Boundaries
Compositional Uses Of Space
Mariusz Kozak, Chair
- Christopher Goddard, “Your Soul is the Whole World”: Spatial Tension in Claude Vivier’s Siddhartha
- Orit Hilewicz, Experiencing Spaces through Musical Subjects in Caroline Shaw’s Plan and Elevation (2015) and Morton Feldman’s Rothko Chapel (1971)
- Zachary Zinser, Playing with Perspective in Billie Eilish’s “Party Favor” (2017)