Sunday, November 7, 11:00 ET
11:00-12:30 ET
Hearing/Listening/Signing
Cora Palfy, Chair
- Alexandrea Jonker, Keeping the “Ear” in “Ear Training”: Incorporating “Blind Hearing” for Improved Aural Skills Pedagogy
 - Timothy Chenette, Beyond Gestalt Listening: Interdisciplinary Models for Harmonic Dictation
 - Anabel Maler, Analyzing Melodic Lines in Sign Language Music
 
Timbral Techniques
Alfred Cramer, Chair
- Calder Hannan, Diegetic Sound? Re-thinking Musical Narrative by way of Experimental Hip Hop
 - Jeremy Tatar, Emergent Timbres and Motor Mimesis in Screw Music
 - Joshua Rosner, Opening the Door: A Multifaceted Approach to the Analysis of Text Setting in Kate Soper’s Door (2007)
 
Poster Session 5: Fourier Analysis / Linear Approaches
Richard Cohn, Chair
- Jennifer Harding, Musical Maps and Chord Cartographies: Mapping Harmony in Fourier Space
 - Aditya Chander, Analyzing Hemiolas with the Discrete Fourier Transform
 - Trevor Hofelich, Contextualizing Triadic Post-Tonality in Three Preludes from Dmitri Shostakovich’s 24 Preludes and Fugues, Op. 87
 - Benjamin K. Wadsworth and Meghan O’Harra, Urlinie Play and Musical Narrative
 
The Schumanns
Harald Krebs, Chair
- Alexander Martin, Dreamlike Ambiguities in Clara Schumann’s “Ihr Bildnis”
 - Matthew Poon, “Schumann’s Fragment” Revisited: Non-Tonic Initiating Functions in the Nineteenth Century
 - Jeremy Nowak, Pre-cadential Phrase Endings in the Piano Works of Robert Schumann
 
11:00-2:15 ET
Provincializing Western Art Music Syntaxes
Chris Stover (Queensland Conservatorium, Griffith University), Anna Yu Wang (Harvard University), Organizers; Michael Tenzer (University of British Columbia), Noriko Manabe (Temple University), Co-Chairs
- Liam Hynes-Tawa, Three Views of Western Tonality: Successive Provincialization in the Orchestral Works of Yamada Kōsaku
 - Scott Murphy, Carnatic Elucidations of Structure and Expression in Hollywood’s Scales
 - Ian Quinn, On “Pien” (Biàn 變) Tonality
 - Grant Sawatzky, Irregular to whom? Segmentation, grouping, and “irregular” phrase lengths in Klassen’s Plautdietsch folk song collection
 - Chris Stover, “Proto-Structure” and “Anti-Structure”: Against Teleology in African Musical Processes
 - Anna Yu Wang, Perceiving banyan: Temporal Syntax Unbeholden to Meter